Twice a year, hordes of editors, photographers, bloggers and fashionistas descend on Lincoln Center, MILK studios and other venues in Manhattan for the spectacle that is New York Fashion Week. As a fashion-industry follower, I decided to take in the full array of it all, crammed into one weekend. There’s an entire sub-universe of runway shows, parties, presentations and lounges — but just how much fashion can one reporter handle?
(PHOTOS: The Glamour and the Mayhem of New York Fashion Week)
10:15 a.m. – I wonder whether my actual bedhead hair can pass for the “I spent an hour trying to achieve this artfully tousled hair” look. The threat of snow has thrown a wrench into my wardrobe plans, and I eschew stilettos in favor of flat riding boots. My feet whisper a silent “thank you.”
11:02 a.m. – In a cab to Lincoln Center, I notice a run in my tights already. An auspicious start to the day.
11:18 a.m. – I arrive at Lincoln Center and head into the Jill Stuart show. I take out my Blackberry and pretend to be texting furiously and importantly, as approximately half the people in the room are doing the same. I’m in a bizarre universe where a room full of people are gathered wearing full makeup, sequins and six-inch heels before noon on a Saturday. Fashion Week is not for the faint of heart — or of wardrobe.
11:24 a.m. – Photographers and video crews mill about on the runway for the 30 minutes between the official and the actual start time of a runway show. A feeding frenzy then forms around any major or minor celebrity, who will attempt to sit down gracefully in their seat while incessant flashbulbs blind them.
11:31 a.m. – The show begins. The clothes have a pretty vibe with a hint of a hard edge. At any given moment at least one-third of the crowd is snapping a photo with their phone or iPad. A security guard sitting in the aisle looks like he’s falling asleep.
11:37 a.m. – When you observe them on the runway, models have a characteristic, exaggerated walk where they lead with their hips. Anyone trying this in a normal context would probably look like they had a joint problem.
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11:50 a.m. – I spot the coat check, brought to you by Barbie. I don’t remember the coat closet being one of the more notable rooms in my childhood Barbie Dream House.
12:01 p.m. – Time for the first of what I’m sure will be many complimentary Diet Pepsis. Even the straws are chic—they’re designed by Jonathan Adler.
12:09 p.m. – I enter the Son Jung Wan show and notice a woman in the front row wearing a hat that more than doubles the height of her head. It kind of resembles the Pope’s hat. How would you wear that on the subway? I hope she took a car service.
12:15 p.m. – P.R. girls rush around trying to fill every possible seat. The seating chart is a never-ending puzzle with moving pieces that only stops when the music starts and bright lights come on.
2:47 p.m. – The huge crush of people exiting the Mara Hoffman show and flooding into the lobby is claustrophobia-inducing. I spot a Fashion Week fixture, the man who wears crazy matching patterned suits. He must own at least 50.
2:52 p.m. – Entering the Rafael Cennamo presentation, I grab a glass of champagne and ogle the sparkly eveningwear. Presentations, in which models stand in a room and viewers walk around them, have become an increasingly popular alternative to the traditional runway show. They are less theatrical and remove the need for the crazy seating chart puzzle, and still provide a much more up close and personal view of the clothes.
3:00 p.m. – I take my front row seat at Herve Leger. The average heel height in the room looks to be about four inches. Fashion Week must be responsible for the livelihood of half the podiatrists in the city.
4:01 p.m. – I rush to make the Christian Siriano show downtown. Now I understand why editors always complain about the unforgiving nature of the schedule. It’s like Sophie’s Choice every hour, with a multitude of overlapping shows scheduled at Lincoln Center and various other venues across the city. When I arrive, I pay specific attention to the shoes in the collection to see what might turn up in his Payless line.
4:49 p.m. – In all my running around I realize I’ve forgotten to eat. Maybe this is a true supermodel diet? I wolf down a Fiber One bar that I grabbed from the tents.
6:31 p.m. – I go backstage for the L.A.M.B presentation. Teams of makeup artists are working on models, who sip coffee. “Tell them to put their shoes on!” yells a showrunner. There is another room for hair where more models sit in curlers. Five people fuss over one model at once, and I marvel at the coordination beneath the chaotic veneer.
7:04 p.m. – I take a seat for Monique Lhuillier. The show is lovely, with leather, gloves, and some serious sequins. Several models stumble over their long dresses, but they recover seamlessly.
8:15 p.m. – At the L.A.M.B presentation, we crowd around a podium that has been set up to look like a photo shoot. News that Whitney Houston has died spreads around the room, bringing a sad dose of reality into this fabricated world.
8:36 p.m. – I run into a friend who suggests going out for a drink. Craving human interaction after a day of staring at models, I accept.
10:43 p.m. – I get back to my apartment and collapse on the couch.
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